Baby Film Analysis: A Sharp Depiction of LGBTQ+ Brazilian Hustlers Adrift in the System

Channelling the city's relentless energy and dynamic spirit of São Paulo, filmmaker Caetano's bracing drama centres on those who live on the fringes of an perpetually shifting metropolis. Recently released from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) finds himself at a crossroads; abandoned by his parents, the innocent young man discovers refuge in the arms of others.

On an late-night excursion with his boisterous group of queer and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a strapping, magnetic hustler more than twice his age. Illuminated by the pulsating light of a XXX cinema, their first meeting is physical and passionate, with an hint of risk. Ronaldo quickly introduces Wellington to the underground scene of prostitution and selling drugs.

A Study of Empathy Instead of Sensationalism

The director portrays Wellington’s new life of crime with tender empathy instead of as a melodramatic morality play. Now using the alias Baby, he engages in his paid liaisons with cocky bravado and endearing innocence. To his customers, Wellington lends not only his youth and his body, but also fleeting acts of kindness.

In the hectic energy of São Paulo, overflowing with bustling alleyways and colourful shopfronts, there’s a persistent isolation, as rootless people hold fast to one another for fleeting joy.

"The streets can be riddled with risk, yet they are where they can find their own family, too."

A Complex Relationship of Love and Control

Ronaldo is simultaneously a partner and a sheltering paternal presence to Wellington, but their relationship is derailed by envy and economic precarity. Dangers posed by nefarious characters in the underworld are overshadowed by the dread of state surveillance and incarceration, symbolized by the hovering figures of police officers making their rounds.

Baby is particularly impactful as a perceptive study of the forgotten souls who have been failed by the system. The film functions as a moving look into survival, found community, and the pursuit of purpose within a unforgiving urban landscape.

Mark Johnson
Mark Johnson

Lena Visser is a civil engineer and content writer specializing in foundation technology and sustainable construction practices.